Air Alert

So Waterloo has established a vaguley disconcerting thing called an 'air alert' because the flu is so bad here. Everyone is sick. So people like me can't go outside. I'm sick anyways. Plus a case of viral menengitis turned up here. Instead of boarding up the windows and wearing tissue boxes for shoes, I did in fact go outside today, where I was the victim of a couple of kids thinking throwing snow balls through car windows is fun. Of course they promptly learned just how unfunny it is. This turned into an episode of Jerry Springer somehow, where the kids (ten maybe) called their teenage friends on cell phones (what are they doing with cell phones?) to 'kick my ass.' The teenagers of course had to prove their manhood by threatening me. I then disproved it.

Anyways, this is preamble to say our teenagers are not the hope of the future anyhow.

The book seems to be moving again. Wrote quite a bit last night in chapter 14. I never used to outline or anything, and I still don't, but with this one I've had to plan ahead somewhat. It's spilled over out of my head and I've taken to using a tackboard with index cards for each chapter tacked to it, along with the characters and so on, just to kind of be able to see it.

Comments

Benjamin said…
That Houston Chronicle article is frightening, isn't it?

I don't know if it says that the future leaders of the world are fucking morons, or if polls in newspapers just suck.

--Ben
11:11 PM
Post a Comment

Popular posts from this blog

Mirror, Mirror

Image
Recently I bought a copy of a pretty well reviewed and promoted speculative fiction novel.  About two chapters in, the main character looks in a mirror and describes themself.  I literally closed the book and stopped reading.  The novel had other issues, but this put me right out of the story.  This technique - being generous here - occurs a lot in first person narratives, about as often as a story beginning with the main character waking up from a dream.  The mirror device is best avoided, but not necessarily because it's so overused - it's best avoided because simply put, it's so easy.  A character, especially a protagonist, should never be described; they should be imagined.
Read more

Conversations With: Dr. Daniel Dahlquist

Here's what I hope is the start of a new weekly (or so) feature on the blog: a mini-interview with writers about the craft. My good friend and teacher Dr. Daniel Dahlquist inaugurates the series. Dr. Dahlquist is a wonderful poet; his poetry has appeared in respected literary journals such as Prairie Schooner, New Virginia Review, River Styx, Kentucky Poetry Review, and the Louisville Review. He graduated from the University of Iowa's storied Writer's Workshop and holds a Ph.D. in Performance Studies from Southern Illinois University. His first book, SPEECH TO THE DEAD PEOPLE, was published in 1997 by Cedar Creek Press. You can read an excerpt from the book (and my favorite of his poems) here . Without further adieu: Q: What poets or other writers do you consider influences? A: The apocalyptic poets appealed to me when I was very young. I started writing poems at age sixteen, on my grandfather's 1928 L.C. Smith typewriter, largely to impress my English teacher.
Read more

My Advice For Writers

More and more I get asked for advice from aspiring writers. Mostly this is because I have a book, not because I really know anything. I'm not good at giving advice. Actually, I'm pretty good at it, just not very good at following it myself. So take all of this with a grain of salt. Actually, you should probably just click away to some other website right now. If you're still here, or have just reached the end of the internet, seriously: I've given a lot of thought to what I say to a serious writer who is asking me for serious perspective, and in so much as I can give it, I usually speak to these things: Find your faults . You have them. We all do. One thing my day job has taught me is to actively seek out process improvement. Usually we wait for problems to come to us - it's how we know they're problems - but most often in business, this can get you in trouble. The same applies to your art. It is a process; you should actively seek to impro
Read more