The Middle of the Dark

The question for the last four years has been, is there any way they can top The Dark Knight? The answer is obvious, and became beside the point in the early morning of July 20th. The question unfortunately for this series of Batman films by Christopher Nolan is why such grand cinema must be forever associated with tragedy. At the end of the day, this is just a movie. It means nothing in the light of the loss of so many lives in Colorado , just as The Dark Knight meant nothing in the wake of Heath Ledger’s unexpected passing in 2008. What TDK did become was a tribute to a spectacular actor. The Dark Knight Rises was not intended to be any tribute to what happened last week, and it cannot be. What TDKR becomes is a tribute to a feat very rarely accomplished on film – the successful trilogy. The bad third movie in a trilogy is a bit of a running joke in cinema. Say when: X-Men 3, Spider-Man 3, Superman III (yes, they did it in Roman Numerals once) The Godfather 3 (this actu

A writer offering rules on writing is always a fun exercise to - if nothing else - argue about the rules of writing. Colson Whitehead provided his own  the other day in the NY Times that you should definitely read if you write or have any interest in writing. All of the rules resonate, but for me, #1 and #10 do the most: Rule No. 1: Show and Tell. Most people say, “Show, don’t tell,” but I stand by Show and Tell, because when writers put their work out into the world, they’re like kids bringing their broken unicorns and chewed-up teddy bears into class in the sad hope that someone else will love them as much as they do. “And what do you have for us today, Marcy?” “A penetrating psychological study of a young med student who receives disturbing news from a former lover.” “How marvelous! Timmy, what are you holding there?” “It’s a Calvinoesque romp through an unnamed metropolis much like New York, narrated by an armadillo.” “Such imagination!” Show and Tell, followed by a good nap

aMAZEme Book Maze In London Imagine you wake up in the middle of one of those huge hedge garden mazes. The scary Shining kind. You start wandering around, looking for a way out. Time after time, you hit a dead end. Some paths hold promise only to come to nothing. You ultimately test each possible path, because you don’t know where you are. You know where you’re going – out – but how to get there? Eventually you find your way, but only after you have spent a lot of time, effort and frustration. Fear, even. This is writing a novel for me.

 Matthew Salesses wrote an outstanding article on revision at Necessary Fiction the other day, and it inspired me to think a little about what rules I have for revision, since it's mostly all I do. There are no hard and fast rules - a random Google search will generate hundreds of equally good suggestions - but what I liked best about the 'thoughts' Matthew shares is that they're fairly unique. Most how-to's and guides you will find on this subject are very clinical and technical. Do this. Do that. Writing is rewriting, and writing to me has always been a very intuitive process. The best one maybe the first: 1. To me, the most important question to ask as I revise is: Am I bored here? The best “advice” I’ve ever heard on revision was from the wonderful teacher and writer Margot Livesey. It was something like this: if you are bored, it’s not because you’ve read that section so many times, it’s because it’s boring. A lot of the time as a writer, you spend so m

I came across a nice essay on the semicolon over at NYTimes today.  I'm a fan, in case you couldn't tell, but it seems not everyone is. The writer, Ben Dolnick, quotes an amusing anecdote from Kurt Vonnegut on the subject: “Do not use semicolons,” he said . “They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” This only endears the semicolon to me. I find it one of the most musical of tools in the language. The semicolon allows you to impinge on other thoughts, other sentences, often in a rhythmic or as Dolnick points out when discussing William James, symphonic way; in the present tense, the use of the semicolon can help achieve a certain kind of kinetic energy that has always appealed to me. I love music. If I had a choice of any artistic ability, it would be to create music. The only way for me to even try is through words. I fail daily, but I keep tapping away at beats I hear in my head. I marry them to i