The Middle of the Dark

Hollywood Video here in town is closing its doors, and today they marked everything down to 90% off. I found a treasure trove of movies old and new in their library - films you take to heart and then somehow forget for a few years like Hideous Kinky or And The Band Played On - and I made off like a bandit. One film I didn't find hiding in the aisles that would have been perfect was Orlando , the '92 adaptation of Virginia Woolf's novel starring Tilda Swinton. The novel and the movie both left such a deep impression I didn't find it again until just recently, when I began work on The Book of Elizabeth . An older Elizabeth features in Orlando (Quentin Crisp does her in drag in the movie, which I fear made more an impression than anything else) but when I close my eyes, it's Swinton I see as my Elizabeth. I discovered in writing the book just how much of an impact the themes and ideas - half remembered, like a dream - the book/movie had on impressionable young me ba

So now that I'm taking a brief breather while I recharge the old batteries to revise the novel, I thought I'd share some pics from the trip my cousin Matt and I took to Chicago earlier this month. We visited my good friends Matt and Lisa, who are expecting at the end of the summer (congrats!!!) and also took in some of the sights. It was a great time, and great weather. We had great weather today, finally. I biked up to CF, watched some Season 1 of Battlestar on DVD, and naturally, because I'm not supposed to until Sunday, revised chapter 1 of the book. Kerry Wood goes to ice the Astros in the top of the ninth: The Wrigley Building from orbit (aka the Hancock): The shadows of the towers:

Yay! I finished the first draft of my novel The Book of Elizabeth today. My eyes and fingers hurt. I sleep now. Zzzzz... Oh, wait. I do have a lot of revision to do, but that's after I take a few days off. My editor Sean Wallace at Prime Books mentioned the book in an interview he gave over at Bibliophile Stalker: "What's the editing process like? Do you also focus on grammar, spelling, and the like or do you solely focus on the story and the idea? I actually don’t consider myself a traditional editor, someone who copy-edits or proofreads material, but more an instinctual editor. I don’t sit down and figure out why I do or don’t like something, which might sound a little strange to a few people, but that’s how it works out. I can tell you in generalizations why I’m hot-to-trot on a particular project, but I can’t get into specifics. Mind you, it’s easier at sales presentations, because I have a wealth of data to play with, and can sound reasonably intelligent and